Not all the presets provide different effects for both channels, though where they do, operating the unit with a single input will process that input with both effects. Though both channels can be effected differently, their outputs are mixed before they encounter the outside world so you only need one stereo effects return. Unusually for effects in this price range, the FXRs feature dual processors, enabling them to operate as true stereo‑in, stereo‑out devices, where each of the two inputs can be treated with a different effect. As far as I can ascertain, both units are identical in most technical respects, the main difference being that the FXR offers preset operation only, whereas the FXR Elite has MIDI control and allows a couple of parameters per preset to be changed and then stored. As far as the user is concerned, however, the keyword is simplicity. Both the FXR and FXR Elite are based around a new generation of specialised microchips which purports to offer big bucks performance for less than the VAT on the pro‑audio equivalent. If you're one of those people who find effects programming about as exhilarating as a Leonard Cohen Karaoke night, you'll appreciate ART's two new FXR models. If you're looking for instant gratification in the effects department, ART have something that'll do nicely - as Paul White finds out.
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